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|a 2001-390-221 |2 HistoryMiami Identifier |
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|a Sickle, Flywisk, and Agogó for Obatalá |h [electronic resource]. |
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|a From HistoryMiami's South Florida Folklife Collection. Afro-Cuban Orisha Arts in Miami, 1999-2001. Collection No. HMF9018. |
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|u http://rightsstatements.org/vocab/InC/1.0/ |
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|a Sickle wrapped in white beadwork and cowie shells, made by Carlos Leon. The sickle is decorated in the ritual color of the Orisha deity Obatalá: white. The sickle was exhibited as part of a ritual throne for Obatalá. Flywisk Horse's tail, white, with long handle covered in beads and cowrie shells, made by Carlos Leon. A bunch of beaded tassels extends from the top of the handle. The horsetail is decorated in the ritual color of the Orisha deity Obatalá: white. The "iruke", or horsetail, is Obatalá's ritual instrument. Beads are used to decorate the iruke as a manifestation of the beauty and magnificence of the orisha. Agogó (bell) for Obatala made by Carlos Leon. Commissioned and purchased especially for Historical Museum of Southern Florida (HistoryMiami Museum) exhibit, "At the Crossroads: Afro-Cuban Orisha Arts in Miami," February 23- August 8, 2001. |
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|a Electronic reproduction. |c HistoryMiami Museum, |d 2024. |f (dpSobek) |n Mode of access: World Wide Web. |n System requirements: Internet connectivity; Web browser software. |
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|a Chillag, George. |4 pht |
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|a HistoryMiami Afro-Cuban Orisha Arts in Miami. |
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|a dpSobek |c HistoryMiami Afro-Cuban Orisha Arts in Miami |
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|u http://dpanther.fiu.edu/sobek/FI24070947/00001 |y Electronic Resource |
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|a http://dpanther.fiu.edu/sobek/content/FI/24/07/09/47/00001/FI24070947_00001_2001_390_221_thm.jpg |
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|a HistoryMiami Afro-Cuban Orisha Arts in Miami |
