| 008 |
|
220421n^^^^^^^^xx^nnn^^^^^^^^o^^^^nspa^d |
| 245 |
00 |
|a Reel to Reel- Tape 027 |h [electronic resource]. |
| 500 |
|
|a Side #1: Left: 1. Chao Chao, 2. Clavelitos, 3. Cachita, 4. Cuatro Vidas, 5. Classes de Cha Cha, 6. Almendra Theme (Fajardo) /. Right: 1. La Bodega Cha Cha, 2. Bolero, 3. Padre Cochoro, 4. Cachita, 5. Tu-y-yo, 6. Bombon Cha, 7. Sabrosona, 8. Solo-Tu, 9._______ (Aragon) /. Left: 1. El Panzon 9 Valdes, Chucho), 2. Enseñanza, 3. Solfeando, 4. Guajira Experimental, 5. Don Juan, 6. Atomos para la Paz, 7. Esperanza, 8. Soñando con el Cha Cha, 9. Vamos al Central (Jorrin, E.), 10. Ay No No No, 11. Manengue, 12. Agua Con Azucar, 13. Los Cacos Del Amor, 14. Estas como Mango, 15. Desarrecuestate Nene (Rodriguez, Tito) /. Right: 1. Descarga #1 [O'Farril y All Stars Cubano], 2. Dile a Catalina [Valdes, Bebo], 3. Bilongo [Peruchin], 4. Special Del Bebo [Valdes, Bebo], 5. El Labrador, 6. Legrimas Negras [Peruchin] (Valdes, O'Farrill, Egües, Peruchin, Tata Güines, Negro Vivar), 7. Guantanamo, 8. A Mi Que, 9. Nieve de Mi Vida, 10. Ofelia Mia, 11. Menito Suave, 12. Que Duan, 13. Son Los Dos Chino (Sexteto Habanero), 14. Alegre Noche Buena, 2. Duo Los como, 3. La Noche Buena, 4. A Comer Lechon (Marquetti, Cheo) /. |
| 500 |
|
|a Side #1, left: live recording; side #2, right: live recording- Raleigh - 1960 - South Fallsburg, N.Y.; Side #2, right: #1-6 from the album "Los Mejores Musicos de Cuba;" #1 includes Tata Güines playing congas and Egües on flute; #3 has Egües on flute; #4 has Tata Güines on congas. |
| 506 |
|
|a Sound clips (demo and full length) for both songs are available online. The access to full length sound files limited to on-campus users only. The Sound and Image Department at FIU Library does not claim copyright for any item in the collection. Copies for transmission, broadcast, reproduction, publishing, etc., not covered by fair use, require the written permission of the copyright owners. The user assumes all responsibility for clearing reproduction rights and fees as well as any infringement of United States copyright law (U.S. Code, Title 17). |
| 533 |
|
|a Electronic reproduction. |c Florida International University, |d 2022. |f (dpSobek) |n Mode of access: World Wide Web. |n System requirements: Internet connectivity; Web browser software. |
| 535 |
1 |
|a Diaz Ayala Collection. |
| 700 |
1 |
|a Valdes, Chucho. |4 prf |
| 700 |
1 |
|a Rodriguez, Tito. |4 prf |
| 700 |
|
|a Sexteto Habanero. |4 prf |
| 700 |
1 |
|a Marquetti, Cheo. |4 prf |
| 700 |
|
|a El Negro Vivar. |4 prf |
| 796 |
3 |
|a Andrew Kaufman. |4 dnr |
| 830 |
0 |
|a Díaz-Ayala Cuban and Latin American Popular Music Collection. |
| 830 |
0 |
|a Andrew Kaufman Collection. |
| 852 |
|
|a dpSobek |c Díaz-Ayala Cuban and Latin American Popular Music Collection |
| 856 |
40 |
|u http://dpanther.fiu.edu/sobek/FISI005931/00001 |y Electronic Resource |
| 997 |
|
|a Díaz-Ayala Cuban and Latin American Popular Music Collection |
