008 |
|
220328n^^^^^^^^xx^nnn^^^^^^^^o^^^^nspa^d |
245 |
10 |
|a Reel to Reel- Tape 017 |h [electronic resource]. |
500 |
|
|a Side #1: Left: 1. A La Timba, 2. Retozon (Roberto Faz), 3. Contentosa, 4. La Merenguita (Sonora Matancera), 5. La 3 Marias (EL Gran Combo), 6. ____, 7.______, 8. _____, 9.______ (Harlow), 10.______,11. ______, 12. _____, 13. _____, 14. _____, 15. _____, 16. ____, 17. _____, 18. _____, 19. ______ (Novel), 20. _____, 21. _____ (Robrerto Roena), 22. El Niche, 23. La Paella, 24. Noche De Farrar, (Machito), 25. Gitano, 26. Azucar, (Rosendo Ruiz y su Tipica), 27.Los Envidiosos, (C. B. Puig), 28._____ (Bravo, Pancho) /. Right: 1. Saca la Lengua (Sublime), 2. Aprovechan Pollos (Chapottin) 3. Que No Muera el Son (Marquetti), 4. Echale Grasa (Novedades), 5. Voy Pa Mayari (Grupo Segundo), 6. Mentiras Criollos (Chapottin), 7. Por que mi Siento Cubano (Marquetti), 8. Yo No Tumba, 9. Si Señor, 10. Vamos a Bailar, 11. Yo Vine Pa Ve (Lopez, Belisario), 12. No Puedas Mas, 13. Soy Mantancero (Tipica Modelo), 14. Hay Ambiente (Tipica Cubana), 15. Cabezona (Tipica Modelo), 16. Pan Con Timba (Tipica Cubano), 17. _____ (Gloria Matancera), 18. _______(Puig, C.B.), 19. _______ (Harlow), 20._______, 21._______, 22.________ (Jorrin, Enrique), 23. ________ (America del 55), 24. ______, 25. ______, 26. ______, 27. ______, 28. ______, 29. ______,, 30. _______ (Machito) /. Side #2: Left: 1. Sube La Loma, 2. Que Sabrosura (Maravillas de Florida), 3. Son De La Loma (Pupi y su Charanga), 4. Fefita, 5. Sallantana, 6. Cha Cha, (Sensacion), 7. Campeon, (Pupi), 8. Como Esta Miguel, 9. Montuno, 10. Sling- A- Ling (T. P.) /. Right: 1. Misc 78s (Aresenio, Arcaño, Tito Rodriguez), 2. _____, 3._____ (Machito), 5. Pompo, 6. Como Esta Miguel, 7. Oye Mi Ritmo, (T. P.) /. |
506 |
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|a Sound clips (demo and full length) for both songs are available online. The access to full length sound files limited to on-campus users only. The Sound and Image Department at FIU Library does not claim copyright for any item in the collection. Copies for transmission, broadcast, reproduction, publishing, etc., not covered by fair use, require the written permission of the copyright owners. The user assumes all responsibility for clearing reproduction rights and fees as well as any infringement of United States copyright law (U.S. Code, Title 17). |
533 |
|
|a Electronic reproduction. |c Florida International University, |d 2022. |f (dpSobek) |n Mode of access: World Wide Web. |n System requirements: Internet connectivity; Web browser software. |
535 |
1 |
|a Diaz Ayala Collection. |
700 |
1 |
|a Matancera, Sonora. |4 prf |
700 |
1 |
|a Roena, Roberto. |4 prf |
700 |
|
|a Rosendo Ruiz y su Tipica. |4 prf |
700 |
1 |
|a Lopez, Belisario. |4 prf |
700 |
1 |
|a Matancera, Cloria. |4 prf |
700 |
1 |
|a Jorrin, Enrique. |4 prf |
700 |
|
|a Gloria Matancera. |4 prf |
700 |
|
|a Maravillas de Florida. |4 prf |
700 |
|
|a Pupi y su Charanga. |4 prf |
796 |
3 |
|a Andrew Kaufman. |4 dnr |
830 |
0 |
|a Díaz-Ayala Cuban and Latin American Popular Music Collection. |
830 |
0 |
|a Andrew Kaufman Collection. |
852 |
|
|a dpSobek |c Díaz-Ayala Cuban and Latin American Popular Music Collection |
856 |
40 |
|u http://dpanther.fiu.edu/sobek/FISI005817/00001 |y Electronic Resource |
997 |
|
|a Díaz-Ayala Cuban and Latin American Popular Music Collection |