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|a Decolonizing reconciliation: Changing the narrative to the indigenous museums of peace in Kenya and South Sudan |h [electronic resource]. |
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|a Please contact the owning institution for licensing and permissions. It is the users' responsibility to ensure use does not violate any third party rights. |
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|a In this presentation I focus on the indigenous arts and aesthetics of reconciliation. Often the indigenous arts are collective cultural productions of the village square. These performances carry social, political, environmental and spiritual meanings as agencies that influence the body and therefore the language of reconciliation. In 1994, I used indigenous arts to create museums of peacei during the volatile decade in eastern Africa. Today, the peace museums are meeting spaces for community-based civil societies in the villages. Together, they solicit common paths toward the closure of conflicts at different levels of society by drawing from local heritages: oral histories, arts and their collective memories. |
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|a Electronic reproduction. |c Florida International University, |d 2019. |f (dpSobek) |n Mode of access: World Wide Web. |n System requirements: Internet connectivity; Web browser software. |
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|a Florida International University. |
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|a indigenous aesthetics and arts. |
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|a Khoja Studies Collection. |
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|a dpSobek |c Khoja Studies Collection |
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|u http://dpanther.fiu.edu/sobek/FIKH000017/00001 |y Electronic Resource |
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|a http://dpanther.fiu.edu/sobek/content/FI/KH/00/00/17/00001/2018 October 23rd Public Lecture FIUthm.jpg |
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|a Khoja Studies Collection |
