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FIDA031830_00001 |
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20160415111950.0 |
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|a Scan Disc SCLP 109 |
084 |
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|a SCLP 109 |
245 |
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|a All night long: Lecuona Cuban Boys in Sweden |h [electronic resource]. |
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|i Added title page title: |a Stockholm. |
246 |
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|i Added title page title: |a Pachanga española. |
246 |
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|i Added title page title: |a Siboney. |
246 |
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|i Added title page title: |a Chiquitina. |
246 |
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|i Added title page title: |a Ritmando el cha cha chá. |
246 |
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|i Added title page title: |a Triana morena. |
246 |
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|i Added title page title: |a Charanga pachanga. |
246 |
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|i Added title page title: |a Malagueña. |
246 |
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|i Added title page title: |a María Dolores. |
246 |
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|i Added title page title: |a La pachanga del colegio. |
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|i Added title page title: |a Embrollón. |
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|a Suecia : |b Scan Disc, |c 6/1963. |
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|a 1 sound disc : |b 33 1/3 rpm ; |c 12 in. |
500 |
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|a LP includes 11 songs. |
500 |
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|a (Información dada por Bebo Valdé y Mats Lundhals en su biografía). La orquesta era propiedad de los hermanos Agustín yGerardo Bruguera. Agustín tocaba timbales y drum y cantava; Gerado, sax tenor. Las dos trompetas eran el brasilero Antonino y el salvadoreño Saúl Torres, el peruano Humberto Sarrín, sax alto, otro salvadoreño, Ovidio Tovar, sax tenor, el sax barítono, Pepe, catalán. Bebo era el pianista y arreglista, el bajo el uruguayo Pedro Terrón. Había dos argentinos, Olvaldo Rivera en las congas y otreo en los bongoes. Los cantantes eran Enrique Fontana de Chile y el español Juan de Aiza, y bailarinas, la esposa de Aiza, Titica que era griega y la cubana Nidia. Pero había muchos cambioes de personal. |
500 |
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|a María Dolores -- Arreglos de Valdés, Bebo |
500 |
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|a 1. Stockholm / Fontana, Enrique(Valdés, Bebo) -- 2. Pachanga española -- 3. Siboney / Fontana, Enrique(Lecuona, Ernesto) -- 4. Chiquitina / Titica(Algueró, Augusto) -- 5. Ritmando el cha cha chá / (Valdés, Bebo) -- 6. Triana morena / (Laredo) -- 7. Charanga pachanga / (Valdés, Bebo) -- 8. Malagueña / (Lecuona, Ernesto) -- 9. María Dolores / Fontana, Enrique -- 10. La pachanga del colegio / Titica(Algueró, Augusto) -- 11. Embrollón |
510 |
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|a For additional information on composers and performers, see Diaz-Ayala discography:Cuba Canta Baila |
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|a Electronic reproduction. |c Florida International University, |c Sound and Image Department, |d 2015. |f (dpSobek) |n Mode of access: World Wide Web. |n System requirements: Internet connectivity; Web browser software. |
535 |
1 |
|a Sound and Image Department. |
650 |
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|a Latin pop (music). |
700 |
1 |
|a Valdés, Bebo. |4 prf |
700 |
3 |
|a Lecuona Cuban Boys. |4 prf |
700 |
1 |
|a Valdés, Bebo. |4 cmp |
700 |
1 |
|a Lecuona, Ernesto. |4 cmp |
700 |
1 |
|a Algueró, Augusto. |4 cmp |
700 |
3 |
|a Laredo. |4 cmp |
700 |
1 |
|a Fontana, Enrique. |4 prf |
700 |
3 |
|a Titica. |4 prf |
830 |
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|a dpSobek. |
830 |
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|a Díaz-Ayala Cuban and Latin American Popular Music Collection. |
852 |
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|a dpSobek |c Díaz-Ayala Cuban and Latin American Popular Music Collection |
856 |
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|u http://dpanther.fiu.edu/dpService/dpPurlService/purl/FIDA031830/00001 |y Electronic Resource |
997 |
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|a Díaz-Ayala Cuban and Latin American Popular Music Collection |
The record above was auto-generated from the METS file.