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1.
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SR 8319 (Matrix)
Pregon porro grabado en Cuba.
Audio | FIU Sound and Image|Díaz-Ayala Cuban and Latin American Popular Music Collection|Florida International University|Latin GRAMMY Cultural Foundation Preservation Project |
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2.
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1929 | Audio | FIU Sound and Image|Díaz-Ayala Cuban and Latin American Popular Music Collection|Florida International University|Latin GRAMMY Cultural Foundation Preservation Project |
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3.
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1929 | Audio | FIU Sound and Image|Díaz-Ayala Cuban and Latin American Popular Music Collection|Florida International University|Latin GRAMMY Cultural Foundation Preservation Project |
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4.
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Cuban song. Soprano vocal solo.
1901 | Audio | FIU Sound and Image|Díaz-Ayala Cuban and Latin American Popular Music Collection|Florida International University|Latin GRAMMY Cultural Foundation Preservation Project |
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5.
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1920 | Audio | FIU Sound and Image|Díaz-Ayala Cuban and Latin American Popular Music Collection|Florida International University|Latin GRAMMY Cultural Foundation Preservation Project |
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6.
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1900 | Audio | FIU Sound and Image|Díaz-Ayala Cuban and Latin American Popular Music Collection|Florida International University|Latin GRAMMY Cultural Foundation Preservation Project |
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7.
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1920 | Audio | FIU Sound and Image|Díaz-Ayala Cuban and Latin American Popular Music Collection|Florida International University|Latin GRAMMY Cultural Foundation Preservation Project |
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8.
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1928 | Audio | FIU Sound and Image|Díaz-Ayala Cuban and Latin American Popular Music Collection|Florida International University|Latin GRAMMY Cultural Foundation Preservation Project |
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9.
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1928 | Audio | FIU Sound and Image|Díaz-Ayala Cuban and Latin American Popular Music Collection|Florida International University|Latin GRAMMY Cultural Foundation Preservation Project |
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10.
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Porto Rican vocal.
402976 (Matrix)
1929 | Audio | FIU Sound and Image|Díaz-Ayala Cuban and Latin American Popular Music Collection|Florida International University|Latin GRAMMY Cultural Foundation Preservation Project |
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The Preservation Project was funded by the Latin GRAMMY Cultural Foundation in 2016. The primary objective of this project is to preserve and provide controlled access to 78 rpm sound recordings from 1900 to 1929 in order to support academic and scholarly works. All the items included in this sub collection are part of the Diaz Ayala Cuban and Latin American Popular Music Collection.